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However, they tend to be omitted in most works on rock art, which concentrate on engravings and paintings by prehistoric peoples.
A few such works exploit the natural contours of the rock and use them to define an image, but they do not amount to man-made reliefs.
Large thin spearheads; scrapers with edge not on the side but on the end; flint knives and saws, but all still chipped, not ground or polished; long spear-points, with tang and shoulder on one side only, are also characteristic implements of this industry. The Solutrean may be seen as a transitional stage between the flint implements of the Mousterian and the bone implements of the Magdalenian epochs.The archaeological sub-discipline of rock art studies first developed in the late-19th century among Francophone scholars studying the Upper Palaeolithic rock art found in the cave systems of Western Europe.Rock art continues to be of importance to indigenous peoples in various parts of the world, who view them as both sacred items and significant components of their cultural patrimony.In archaeology, rock art is human-made markings placed on natural stone; it is largely synonymous with parietal art.A global phenomenon, rock art is found in many culturally diverse regions of the world.